Big Lucks (“Red Affection”)
Birdfeast (“Where There is Overflow,” “Rough Translation”)
Cosmonauts Avenue (“Infinity Loop”)
Ghost Proposal (“At the Slow End of the Continuum,” “Ode”)
Guesthouse (“Sonic Boom in Miniature,” “Unwanted Dream Sequence,” “Sincerely Against Lavish Description”)
H_NGM_N (“Pleased to Announce,” “Impractical Wisdom”)
ILK (“Victory is Still Victory if No One Speaks it Out Loud,” “Sometimes Light Wins,” “Total Potential Hazard,” “Prediction Error,” “All the Good in the World Starts Now”)
InDigest (“Some Relics,” “In Our Heads I Place a Bet”)
inter|rupture (“A Covenant is a Burden,” “Strange Geometries”) | inter|rupture (5 poems from “Dead Year”)
iO: A Journal of New American Poetry (“Modes of Living I Fawn Over But Brace for Winter,” “Introducing for the Last Time”)
Jellyfish (“Hiding in the Overglow,” “Here is a Trick”)
La Petite Zine (“Notes on Glory,” “Ode to My Friends”)
notnotstrums (5 poems from “Junk Parade”)
NightBlock (4 poems from “Dead Year”)
OmniVerse (“If I Were an Honorable Person the Honorable Thing I Would Say is Brace Yourself”)
Phoebe (“A Test for Safe Zones”)
Pinwheel (“Somewhere in the Looming Fear,” “I Took the Calendar for an Airplane”)
Sidekick LIT (“And Maybe an Ending,” “Nothing Tragic This Way Yet”)
Sink Review (“If You Ask I Will Tell You”)
Sixth Finch (“At Last an Effigy Shaped Like Oklahoma,” “In Home Movies We Are Always Waving,” “Poem for What I’m Not Allowed,” “Some Work of Noble Note”) / Sixth Finch (“The Swell,” “Natural Movement is a Farce”)


Arroyo Literary Review (“Anthology of Lost Beliefs”, “Crooked Testament”, “Wild Gestures for the Revenant,” “Poor Forces”
Atlas Review
(“Courtesy of the Moment,” “If I am Utterly Still What is Lost”)
 (“World’s Tiniest Earthquake”)
Denver Quarterly (“I Am Here to Break Down the Era”)
Gulf Coast (“Archival Footage of a Necessary Outburst”)
jubilat (“The Jitters,” “Practice Test”)
New South (“Minor History,” “The Creeps,” “Anthem”)
SUPERMACHINE (“From Middle America,” “The Right Tectonics,” “Here is a Toast”)
Whiskey Island (“No Song,” “Soft Matter,” “Patterns of Movement”)